It is very important. I tried two different cards, both QE. They work fine in a Beige G3 but not the G4 Any ideas? SDII was never tested on any G4, so it is unsupported. With that disclaimer out of the way Find all posts by jeffro. I tried both 3. I tried all the PCI slots, same results. Trashed the digisetup files each time. Like how XP home and professional ceased to exist after SP2 because everybody realised it was a bunch of nonsense anyways.
I'm glad we can add Pro Tools to the list of software that doesn't throw a hissyfit on Vista. Altough I guess it helps the Digidesign board communicates directly with Pro Tools rather than through Windows. Home Premium is in the testing stages. However we do have some customers who have gotten it to work with that OS. I would check the forums to see what other customers are saying about that OS. Received that order today, followed the install by the book and immediately got an error message saying that it could only be installed on Mac OS or Windows XP with SP2.
Not sure where to go from here. I tried calling their tech support today but they're closed on Fridays. So I emailed them the question and hope to hear from them sometime after the weekend. I guessing that you've gotten past this hurdle by now since your post was in January? I'm not just replying to my own post to feel popular. Posted 17 April - PM It probably worked for you since you could have the service pack installed, I do believe that Microsoft recently released the first of what will no doubt be many service packs.
Posted 24 May - AM For XP there was the so-called WaveDriver that lets the Digidesign devices function as the soundcard within other Windows applications, the last time I checked there was no Vista driver available Most computers ship with an onboard chip for sound anyways, if it is deactivated in your BIOS, reactivate it and Vista should find it.
Find out more in the most recent edition Pro Tools. Complete Kontrol to manage your work. Navigate effortlessly between tracks and enjoy immediate control over an array of plugins by using the Komplete Kontrol Keyboard for MIDI. In the future, Komplete Kontrol will automatically link to the selected track. You can easily adjust, save and retrieve Pro Tools Carbon preamp settings remotely, either through within your Pro Tools session in the Edit and Mix window or via an Avid controls.
Increase track routing flexibility. It is now possible to transmit outputs and sends to virtually any bus regardless of its length, eliminating the requirement to create sub-paths. It will automatically downmix or convert the signal. For example that you can send an 5. You can further personalize the Pro Tools User Interface. It gives you unprecedented control over making the UI personal to you. It lets you choose customized background colors as well as toggle on high-contrast UI elements as well as having the ability to control nearly every aspect that is available in each of the Classic or Dark themes.
This lets you refine the UI further to satisfy accessibility requirements, or customize your workspace to suit different times of the day or for different moods. Various other aspects of Pro Tools have been improved to make integration of Elastic Audio as smooth as possible. Many of these enhancements are found in the Digibase Browser. At last, there is a volume control so you can turn down the volume when auditioning samples in the browsers.
I, along with many others, am fed up of being blasted when auditioning loud samples and files, so this is very welcome. A new Conform to Tempo option means that files being auditioned in the Browser will be analysed and then will play at Session tempo rather than their native tempo.
You can also audition loops while the Session is playing, in which case Pro Tools will wait for the downbeat and play the samples in sync with the Session. The volume control enables you to 'mix' in the sample and hear it in context with the rest of the session. You can now rightclick files and folders in the Digibase Browser and analyse them in advance, to save you time when looking for files for sessions.
Analysed files have a big tick against them and display a duration in bars and beats. They can be dragged straight into your Session Edit Window, whereupon Pro Tools will create new tracks with Elastic Audio already turned on and the files conformed to the Session tempo. When you select one of a pair of Split Stereo files or a group of multichannel files, the entire file now previews together unless you press the Shift key when you start previewing.
Another area of the program that has changed in v7. The DAE Playback Buffer size is now displayed in milliseconds as well as the usual 'levels', and there is now a Cache Size dropdown menu for determining the amount of memory DAE allocates to prebuffer audio for playback and looping when using Elastic Audio.
If Digi's Structure sampler is installed, the Playback Engine window now allows you to set a Plugin Streaming Buffer Size to determine the amount of memory DAE allocates for sample playback, and has an option to 'Optimise for Streaming Content', for improved playback of sampler plugin samples from your audio drives.
Elastic Audio is the big story in Pro Tools 7. There have been a significant number of Avid videorelated improvements in all the versions of Pro Tools 7.
Support has been added to enable the coinstallation of Avid Xpress Pro The technology behind Elastic Audio is familiar, but the way Digidesign have incorporated it into Pro Tools makes it something special. Playback Engine Another area of the program that has changed in v7.
It is now possible to change the waveform vertical zoom level on individual tracks by Ctrl Windows: Start dragging up or down with the Zoom tool. If you zoom an individual audio track, or group of tracks, the waveform display on that track remains offset when you zoom all tracks, unless you reset the waveform height. If there are no tracks in the Session, and you import a tickbased audio file, Pro Tools will give you the option of importing the tempo from the file.
In Pro Tools HD 7.
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